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PROTOCOL 99∆ C transforma Apolo en un organismo sonoro en constante activación: una instalación mecánica y una escultura permanente dialogan a través de vibraciones, movimientos y resonancias que evolucionan con el espacio y quienes lo habitan.
Lolo & Sosaku convierten la escultura en acontecimiento, desplegando una “mecánica poética” donde máquinas, sonido y acción construyen una experiencia viva que se expande entre lo efímero y lo permanente.
Inspirada en la memoria del Paralelo, la instalación transforma el espacio en un circuito de máquinas absurdas que convierten la guerra en un bucle sin autoridad.
Una pieza que reivindica el placer y el baile como gestos pequeños, incómodos y radicalmente vivos.
The work is activated by the movement of the audience: a choreography of reflections that constantly transforms, deconstructing and reconfiguring the space with every gaze.
MIRRORSTROKE turns the line into an experience, unfolding a moving landscape that invites viewers to inhabit the space through a new perception.
The installation AUTOPARK, by Martín Vitaliti, transforms La [3] into a temporal fissure where past and present overlap. Through a collection of original postcards intervened with lights and reflections from present-day Apolo, the piece activates a latent memory—that of an amusement park inaugurated in 1935. The images open up like windows where both eras coexist in a ghostly way, rewriting history in real time.
The work establishes a constant dialogue between archive and experience, between what once was and what still resonates. Contemporary flashes break into the old scenes as a living layer, generating a tension between document and imagination. Each composition becomes a suspended moment—an echo that invites us to look at the space with different eyes and to perceive the invisible traces that still inhabit it.
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Creative coder and visual artist Anna Carreras presents “Caniques”: a pattern generated through code as if it were pixels, and physically represented by 10,000 colored marbles.
This generative artwork, displayed on a panel located in the corridor connecting the Hall with La (2) and La (3), reflects on the complexity of small gestures and the unpredictable nature that produces unique patterns.
L’artista pictòric de grans formats Octavi Arrizabalaga, conegut com Aryz, presenta el déu Apol·lo en format mural pintat directament a la façana principal de l’Apolo. Es tracta d’una reinterpretació contemporània del déu grec, símbol de les arts, la música i la creativitat, uns valors que es vinculen directament a l’avinguda Paral·lel i a la mateixa sala.
Aryz l’ha representat amb una postura desafiant i segura de si mateixa, una manera de destacar i reivindicar la importància de la cultura a la ciutat de Barcelona. La figura d’Apol·lo està concebuda a partir de la fragmentació del cos, l’anatomia i la representació del moviment, en continuïtat amb el treball artístic desenvolupat en els darrers anys.
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The British-Indian artist based in Barcelona, Sejal Parekh, presents “[EXISTS IN NON-ENGLISH],” a video installation located between La (2) and La (3), which reflects on how language shapes our identities.
The work focuses on everyday actions or life stages—closing a door, brushing one’s teeth, sneezing, overthinking, folding clothes, or dying—things we do without using English, conceived as the dominant language. It also draws on the aesthetic of illuminated signs from grocery stores or 24-hour supermarkets, many of them run by migrant communities.
✦ “Accumbens” de Pedro Torres
✦ “Apolo Paradís Artificial” de Jordi Gispert Pi
✦ "Psychoflage" de Mónica Rikić
✦ "La Fito. Cantar como una cura posible" de Fito Conesa
✦ "Versus", de A C
✦ “Interpolations”, de Milica Lukic
✦ “Overlap”, de Miroslav Perkovíć
✦ “Soy todo orejas”, de Alba Rihe
✦ “Dream Team”, de Andrei Warren
✦ "Prism", de Landscapes
✦ "Liberty Crown Brocheta", de Miranda
✦ "Grid.io", de Landscapes
✦ "Prism", de Landscapes
✦ "Pulse of Apolo", de Oscar Zabala